The gods of the hills are not the gods of the valleys.
The world works differently in Vermont. Time moves slower. People think deeper. And the cannabis inspires a whole new sense of reality.
In Gods of the Hills, Kyle Callahan imagines the people of Vermont declaring their independence from the United States, and he traces the aftermath of that decision over seven generations.
Fans of Tom Robbins, Robert Anton Wilson, Samuel R. Delaney, and John Barth will feel right at home in Callahan’s version of Vermont.
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The wagon creeks beneath the performers. The stilts push deeper into the soil. And then — just then — the performers hesitate, just for a moment, one foot suspended in mid-air, one arm frozen in mid-dangle; but the moment passes, as does their hesitancy, and they move to their designated spots atop the stage. The performers are set. The narrator can begin.
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“A big, smart, swaggering, funny, scary thing; a thoroughly imagined world/way of seeing/way of thinking about time and community and story and pot and sex and all the rest of it. It’s also really funny….I can say with complete confidence that it is a remarkable, remarkable work….It’s amazing, visionary, one of the most original things I’ve ever read. Truly big and impressive art.”
— Rebecca Brown, author of Excerpts from a Family Medical Dictionary, Annie Oakley’s Girl, and The End of Youth
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